Daily Archives: April 8, 2015
Stephen Gill co-existence for a lunch of interaction
The photographic voice of the English photographer Stephen Gill always has a playfully inventive ring. His book ‘Hackney Wick’ (Nobody, 2005), named after an area in east London where the photographs were made, is comprised of pictures taken with a cheap plastic lens camera he bought at a flea market in Hackney Wick for 50 pence. For his book ‘Hackney Flowers’ (Nobody, 2007) he gathered plants, flowers, and seeds, arranging the material over photographs (which he then re-photographed) — creating complex dimensional collage. For other series, he has buried prints to “allow the place itself to imprint upon the images through decay or markings;” or placed objects and creatures inside his camera creating images akin to in-camera “photograms” as seen in his book ‘Outside In’ (Photoworks, 2010).
So when the Centre National de L’Audiovisuel in Luxembourg commissioned Gill to create a new body of work and a book responding to…
View original post 427 more words
A most delicious book!
The cover image of Carrie Mae Weems’s engaging book finds the artist and photographer wearing a long black dress as she stands at the shoreline with her back to the camera, looking at the ocean. It looks as if she is contemplating the morning. We, the “reader” or “viewer,” wait in anticipation to open the book and look into her world. The cover image is our invitation! The photograph is from Weems’s Roaming series from 2006. She becomes our narrator to history. She states: “This woman can stand in for me and for you; she leads you into history. She’s a witness and a guide.”
Weems is an art-photographer, performance artist, activist and videographer—well known for her photographic series and multi-screen projections relating to themes focusing on family, beauty and memory. For the last 25 years, she has relied on stories from the ‘kitchen table’ and of life in the…
View original post 790 more words
A meal of “poetic complexity” –good for any time of day
Often cited as Mexico’s most celebrated fine art photographer, Manuel Álvarez Bravo, whose life almost spanned the entire 20th century, relentlessly captured the history of the country’s evolving social and geopolitical atmosphere. A Photographer on the Watch, a new show organized by the Jeu de Paume in Paris, features previously unpublished and unseen images from the master alongside Álvarez Bravo’s most recognizable images, such as The Daughter of the Dancers (slide 6) and The Crouched Ones (slide 9). Together, they bring new attention and reconsideration of the work of the photographer—who died in 2002—whose prolific output has not only been thoroughly scrutinized by critics, but also published in more than a hundred books and exhibited internationally (The J. Paul Getty Museum in Los Angeles staged a major retrospective in 2001).
After the Mexican Revolution that began in 1910, Álvarez Bravo’s career emerged during a creative renaissance that was a…
View original post 328 more words
Never-ending meal of delight!
Imagine for a moment hurtling down a roadway as fast as your legs could carry you—all the while blindfolded. Sound scary? Henry Wanyoike does it every day, along the dirt roads around his Kenyan village and on the speedy tracks of Olympic stadiums. Wanyoike, 38, has won three gold medals in three Paralympics—his first in the 5000m at Sydney in 2000—setting two world records for a blind runner in the process. This year in London, he is aiming to medal in his first Paralympic marathon.
The fact that Wanyoike runs at such intense speeds while totally blind is truly remarkable, a testament to both his raw athletic talent and iron guts. I know that from personal experience. I, too, am losing my sight, due to a genetic condition called retinitis pigmentosa. There is no treatment or cure, no way of slowing the descent into blindness. Today, I still see much…
View original post 452 more words
Higgs to the rescue! Best meal ever!
A note to viewers: LightBox suggests viewing the panorama in full-screen mode. For visitors on a mobile device or tablet, we recommend utilizing our versions optimized for a fully immersive experience:
Above: The Compact Muon Solenoid (CMS) is one of two main detectors at the LHC. It weighs 12,500 tons, measures 69 ft. (21 m) in length and is a key research tool for 2,000 scientists hailing from 37 countries. It was built above ground and lowered into place—a sensible strategy for so massive a piece of hardware. Here it is seen in 2008, just before it was completed. (Panorama by Peter McCready)
There’s something almost ironic about the disparity of scales between the Large Hadron Collider and the subatomic particles it’s built to study. The collider itself measures 17 mi. (27 km) in circumference, sits 380 ft. (116 m) below ground and cost…
View original post 352 more words