Coexistence by Stephen Gill
Stephen Gill co-existence for a lunch of interaction
The photographic voice of the English photographer Stephen Gill always has a playfully inventive ring. His book ‘Hackney Wick’ (Nobody, 2005), named after an area in east London where the photographs were made, is comprised of pictures taken with a cheap plastic lens camera he bought at a flea market in Hackney Wick for 50 pence. For his book ‘Hackney Flowers’ (Nobody, 2007) he gathered plants, flowers, and seeds, arranging the material over photographs (which he then re-photographed) — creating complex dimensional collage. For other series, he has buried prints to “allow the place itself to imprint upon the images through decay or markings;” or placed objects and creatures inside his camera creating images akin to in-camera “photograms” as seen in his book ‘Outside In’ (Photoworks, 2010).
So when the Centre National de L’Audiovisuel in Luxembourg commissioned Gill to create a new body of work and a book responding to…
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